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September 22, 2019
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September 22, 2019
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Alexander Brandon

Alexander Brandon has been in the game industry since 1995 and has written music, done sfx or recorded voice-over for such games as Unreal, Unreal Tournament, Deus Ex, and more recently audio direction for Gauntlet: Seven Sorrows and Spy Hunter: Nowhere to Run. He has written the book “Audio for Games: Planning, Process, and Production”, is a columnist for Mix magazine and is on the board of directors for the Game Audio Network Guild. He is currently the audio director at Obsidian Entertainment and recently finished audio direction for Neverwinter Nights 2: Mask of the Betrayer.


Features by Alexander Brandon:
Next-Gen Audio Square-Off: PlayStation 3 vs. Xbox 360 [10.10.08]
Using Untapped Resources For Game Audio: How Testers, Producers Can Help [09.28.07]
Book Excerpt: Audio For Games: Planning, Process, and Production - Integration DPM [05.11.05]
Instrumentation: The Game Composer's New Challenge [04.30.04]
Shooting from the Hip: An Interview with Hip Tanaka [09.25.02]
Interactive Music: Merging Quality with Effectiveness [03.27.98]