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May 5, 2021
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Category: Audio


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In this partial transcript of an online Q&A, video game music composer Winifred Phillips describes her process for several projects - including Spyder, Shrek the Third, Shattered State, and Assassin's Creed Liberation.

Game music composer Winifred Phillips shares an extensive list of online resources, including upcoming industry conferences, online communities, bulletin boards, and a round-up of audio software. Features links to free videos of conference sessions.





Posted by Kent Carter on 04/30/21 11:21:00 am in Audio, Serious
The truth behind one of licensed music’s most common marketing terms -- royalty-free -- and what it means in the video game industry.

Posted by Helena Polman on 04/12/21 01:12:00 pm in Audio, Design, Programming, Production, Art, VR
This blog post will discuss the use of biometrics in the gaming industry. It will also discuss my research about: Enhancing the Player Experience Using Live Biometric Data to Adapt a Mood in a Virtual Reality Game Environment.

You can only make a finite number of games in your career. Why not learn lessons while playing other games? This blog covers lessons 1-50 of #TheJoyOfGameDesign - each a bite-size thought on creating and improving your games.

Posted by John Watmuff on 03/03/21 10:56:00 am in Audio, Design, Programming, Art, Indie
Our space adventure/survival game holds a galaxy filled with more than 1000 unique worlds, 20+ interactive space businesses, and various points of interest. I want to share our groundwork and approach for doing this with only two developers.