I get the semantic argument, but honestly, it 's just not worth fighting it. It is incomplete to define games by what the product/work actually is. You need to also to think about the intended audience of the product. r n r nFor example, To the Moon has very little ...
Yeah I do wonder how long people will keep drinking the kool aid. At some point, I expect people will realize how empty a lot of these games are and get over it.
It 's really hard to do this kind of stuff correctly isn 't it I still think Half-Life 1 was one of the best examples of doing it right. When they do a scripted scene, it 's usually a Big Fucking Deal, and you can 't stick around too long ...
Yes, it 's hard to do well. But the Walking Dead proves that you can do it well, and when it 's done well, it can be amazing. r n r nLooking at what makes game unique is a useful avenue for exploring the space, but it 's not the ...
I don 't think that 's a very useful way to discuss game design, and so I think we should stop doing that and talk about specifics--specific games, specific mechanics, specific implementations--instead. r n r nI can whole-heartedly agree with that. Let 's get away from the generalized witch-hunting and ...
